Installation
at the Yellow Bird Gallery 2004-2005
Sculpture
portraits stripped to essence are Mr Grausman's forte. Concentrating
on volume and form, eliminating inconsequential details, he models
faces of expressive vitality by emphasizing their structure and
contours. His surfaces are integral to the work: metal, pewter,
aluminum, and stainless steel in gray tones that add to the distinction
of these streamlined but powerful presences, which translate well
into monumental form.
Mr
Grausman's drawings of nudes, eloquent essays in pure line,
are, like his sculptures, distinctive for what they leave out.
-The
New York Times
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